
This is a self-portrait by Pyke Koch, one of the best-known Dutch painters of the twentieth century. His work is technically impressive and sometimes a little mysterious, but it can also be uncomfortable to look at. Not only because of what you see, but also because of what he stands for.
The black headband is not an official fascist symbol, but at the time it was strongly associated with that ideology. After the Second World War, Koch distanced himself from fascism and denied any association with it, but this work remains linked to that period.

Can you still enjoy art if you fundamentally disagree with its creator? Debates like these are still very much alive, whether they concern artists, musicians, filmmakers or writers. Especially now, as political tensions rise and people increasingly look online to find out what their idols really stand for. Pyke Koch’s work shows that art is not always comfortable, but can sometimes be unsettling. And perhaps that is precisely where it becomes interesting.
Curator Catrien Schreuder on Koch and fascism.

You are listening to Catrien Schreuder, Curator of Modern Art.
Self-portrait with Black Band by Pyke Koch shows the artist with a black cloth wrapped around his head. At the time he painted it, Koch had outspoken sympathies for fascism. In 1934, he even joined a fascist-inspired political movement called Verdinaso. When Verdinaso merged with the Dutch National Socialist Movement - NSB in 1940, Koch automatically became a member. However, he didn't care much for the Germans, and in 1941, he ended his membership.
Because of Koch's political leanings, it's not suprising that this Self-Portrait with Black Band later became seen as a symbol of fascist art. Koch himself insisted the black cloth had no symbolic meaning.
In the painting Koch stands slightly tilted, chin raised – as if he's just said something clever and is waiting for you to be impressed. The painting is incredibly precise, full of tiny details, and has a strange, unsettling atmosphere. Something feels... off.
But that's exactly why you keep looking. It's one of his standout works in the style of magical realism. Politics? Most people forget about that part. They just see a stunning piece of art.
What do you think? Does knowing an artist's political views affect how you see their work – especially if those views don't align with your own?
“To write poetry that is not political, I must be able to hear the birds, and to hear the birds, the warplanes must be silent.”
